Dr. Lyes Hammadouche - 列思博士
Lyes Hammadouche est un artiste et chercheur français né en Algérie en 1987. Il travaille entre Paris et Pékin où il enseigne l’art et le design à la CAFA (Beijing fine arts school). A travers sa pratique, il mène des recherches sur le problème complexe de la conscience. Formé à l’hypnose lors de son doctorat (obtenu en 2019, entre le laboratoire de neurosciences de l’Ecole Normale Supérieure de Paris ENS-Ulm et l’Ecole Nationale Supérieure des Arts Décoratifs de Paris, ENSAD), il produit des œuvres donnant forme aux découvertes scientifiques essentielles de notre temps (conscience délocalisée et illusion de soi). Sa pratique se situe au carrefour de l’art et du design, il a conçu des lunettes ainsi que des bijoux et conçoit ses sculptures de manière quasi-fonctionnelles. Ses œuvres reprennent les principes de l’hypnose comme moyen de les partager avec le grand public. Les techniques de captologie (technologie de persuasion) saont proposées aux spectateurs sous forme de sculptures conçues à l’aide d’outils de prototypage rapide. L’aspect technique de ses productions contraste avec un humour ludique. Au cœur de son travail se trouve une réflexion critique sur la technologie, ses usages et propose un regard contemplatif tourné vers l’altérité et de l’autre côté vers l’introspection.
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Lyes Hammadouche is a French artist and researcher born in Algeria in 1987. He works between Paris and Beijing where he is teaching art and design at CAFA ( Beijing fine arts school).
Through his practice he carries out research on the complex problem of consciousness. Trained in hypnosis during his PhD (obtained in 2019, between the neuroscience laboratory of Paris’ Superior Normal School ENS-Ulm and the National Superior School of Decorative Arts in Paris, ENSAD), he produces works that embody the science core discoveries of our time (delocalized consciousness and self’s illusion). His practice stands at the junction of art and design, he conceived eyeglasses as well as jewellery and thinks of sculptures as beeing quasi-functional. His works embrace hypnosis’s principles as a means to share them with the public at large. The techniques of Captology/Persuasive technology are made available to the spectators in sculptures using rapid prototyping tools.
The technical aspect of his work contrasts with a playful humour. At the heart of his work is a critical reflection on technology, its uses and proposes a contemplative look turned towards otherness and on the other side towards introspection.
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Lyes Hammadouche 是一位来自法国的艺术家，出生于阿尔及利亚,活跃于巴黎和北京两地之间。2019年，他获得巴黎国立高等装饰艺术学院和法国高等师范学院联合博士学位。他的研究关注意识的复杂问题，体现时代科学的核心发现。他以跨学科的方式进行艺术实践探索，创作模糊了艺术与设计的界限。他的眼镜和首饰作品反映了他对雕塑准功能性的认知。催眠的原理也经常在他的作品中得到运用。他的创作中充满新兴的科技,而又幽默诙谐，核心是对技术及其应用的批判性反思，并提出了一种转向他人和转向内省的沉思的观点.
Curriculum
2020-19. Ph.D. in Art Aesthetics, thesis “Temps ductiles” Paris Science Lettres program, Science Art Creation REcherches. Under the direction of Dr. Jérôme Sackur, director of studies at EHESS and Dr. Emmanuel Mahé, director of research at ENSAD in Paris.
2020-19. Beijing Professor of Fine Arts, CAFA, China, current position, in CAFA International Foundation Course, art & Design Education.
2013. Master at ENSAD Paris, France. National Superior School of Decorative Arts in Paris in the Art and Space section, thesis directed by the artist Jan Kopp.
2010. Licence of Fine arts at Poitiers, France. European School of Visual Arts specialising in computer-assisted special effects.
Exhibitions
2020. Public installation, SNCF Rungis Trains Station, France, Grand Paris, under the supervision of José Manuel Goncalves.
2020. Maison Hermès, Shanghai, China, Conception des vitrines et ensembles de sculpture, projet retardé par l’épidémie Ncov, collection été 2020.Hermès Shanghai Maison, store design for the spring collection, displayed from march to july 2020.
2019. Temps Ductiles, thesis defense exhibition. Ecole Nationale Supérieure des Arts Décoratifs de Paris on December 13th in Paris.
2019. Exhibition at Nice, Wines from Ningxia, China. Following a one-week residency in the city of NanXing, invited by the city of Lyon.2019. Time, automotive museum of Beijing. Solo exhibition from January to March.
2018. L’éclipse de Lune Bleue, Yishu8, Beijing. Curator Liu Cong. 2-month residency in China in Christine Cayol’s Franco-Chinese structure.
2018. La belle Vie numérique, novembre à Mars 2018, Fondation EDF Paris, by Fabrice Bousteau.
2018. Zona Maco, Galerie du Palace, Mexico DFA. Artistic installation in a contemporary art fair, a tribute to the Earthquake organized by Mr. Serge Plantureux.
2016. YIA Art fair, museum of arts and crafts, Hors les murs, curated by Marion Zillio.
2016. Kazaa Design, La Réunion island, citée des arts, Workshop/exhibition set up by Nathalie Gonthier during two weeks at the end of August on design and recovery.
2016. L’acier de la corde sciera le décor, Paris, France, Solo exhibition in the gallery Jérome Pauchant.
2016. La redite en somme ne s’amuse pas de sa répétition. Palais de Tokyo, Paris, France Group exhibition. Curated by Cécile Welker and Sara Favriau.
2016. Un grand morceau de ciel à la galerie Jérome Pauchant. Collective exhibition, with artists Matt Jones and Terencio Gonzalez.
2016. Texel, Ermont Aubonnes, Paris. Collaboration with the forum Vies Mobiles and the Ensad Lab, the artist Ianis Lallemand, under the initiative of Guillaume Logé.2015. Tout est parti d’une Colonne,Collège des Bernardins, Paris. exhibition curator Gaël Charbeau.
2014. Révélations émerige, first edition, Paris. Exhibition in the villa émerige, curated by Gaël Charbeau.
Interviews
ManaMana plateforme ( art and technology) talk about art and technology with Moke Li.
2018. Yishu8, l’éclipse de lune bleue.
2017. Les machines, radio, Marie Richeux.
2016. Faconner l’avenir, radio.2015. Tout est parti d’une colonne. Gael Charbeau
2015. La dispute, radio. Anaël Pigeat
2015. Carnets de la création, radio, A. Lavigne.
Texts
2019. Temps ductiles, theoretical thesis writings SACRe PSL. Conducted under the direction of Dr. Jérôme Sackur, director of studies at EHESS and Dr. Emmanuel Mahé, director of research at ENSAD in Paris. Available on this website as a blog entry.
2010. L’art de l’ineffable, mémoire. Under the direction of the artist Jan Kopp, at the Ensad in Paris, available in the library.